2013 December UGC NET Solved Question Paper in Music Paper 3

 


1. Match the following:

(i) Prastaar                   (1) Saarana

(ii) Udbhatt                 (2) Situation of Swar Sadharan

(iii) Mandal Prastaar    (3) Technique of making of talas

(iv) Shrutiveena           (4) Ancient Tala

Codes:

       (i) (ii) (iii) (iv)

(A) (3) (2) (4) (1)

(B) (4) (3) (1) (2)

(C) (4) (1) (2) (3)

(D) (3) (4) (2) (1)

Answer: (D)

 

2. ‘________ Wires were in Vipanchiveena’, said Bharat?

(A) 7

(B) 8

(C) 9

(D) 12

Answer: (C)

 

3. In which vocal system, Bhasha- Vibhasha are placed?

(A) Geeties

(B) Banies

(C) Prabandh

(D) Dhruwa Geeti

Answer: (A)

 

4. Mark the correct answer:

(A) Aanandini, Dipani, Bhawni, Medini, Tarawali

(B) Medini, Aanandini, Dipani, Bhawni, Tarawali

(C) Tarawali, Bhawni, Dipani, Aanandini, Medini

(D) Bhawni, Dipani, Aanandini, Tarawali, Medini

Answer: (B)

 

5. Who is the writer of ‘Shringarhar’?

(A) Maharana Hammir

(B) Maharana Bappa Rawal

(C) Maharana Kumbha

(D) Maharana Raj Singh

Answer: (A)

 

6. Which one of the following artists is not a Sarod Player?

(A) Ustad Ali Akbar Khan

(B) Ustad Amazad Ali Khan

(C) Ustad Vilayat Khan

(D) Ms. Sharan Rani

Answer: (C)

 

7. “Kan Gujari” singer is related to which state of India?

(A) Rajasthan

(B) Maharashtra

(C) Andhra Pradesh

(D) Madhya Pradesh

Answer: (A)www.netugc.com

 

8. In which capacity, ‘Pancham’ is transferred from its own place in Madhyam Gram?

(A) From Tivratam

(B) From Utkarsh

(C) From Mridutva

(D) From Apkarsh

Answer: (D)

 

9. How many swaras are used by Pt. Lochan in his Ragas?

(A) 12

(B) 19

(C) 16

(D) 09

Answer: (A)

 

10. Principal characteristic of Moorchchhnaa is

(A) Samswartaa

(B) Saptswartaa

(C) Krambaddhtaa

(D) Samwadheentaa

Answer: (A)

11. Whose work is “Meeting by the River”?

(A) Pt. Ravi Shankar

(B) Ustad Bismillah Khan

(C) Pt. Vishwa Mohan Bhatt

(D) Ustad Amjad Ali Khan

Answer: (C)

 

12. ‘Ektantri’ Veena was called by which name?

(A) Ghoshak

(B) Vitantri

(C) Ghraasaktaa

(D) Alaabu Veena

Answer: (A)

 

13. Who has composed ‘Raagkadamb’ musical composition?

(A) Taansen

(B) Gopal Nayak

(C) Baiju

(D) Gangaram

Answer: (B)

 

Answer: (D)

 

15. Aamad is a technical terminology of which of the following art?

(A) Vocal

(B) Tabla

(C) Pakhawaj

(D) Dance

Answer: (D)

 

16. ‘Pramaan Shruti’ is placed on which Shruti?

(A) 14th

(B) 15th

(C) 16th

(D) 17th

Answer: (C)

 

17. Sitar has evolved from which of the following instruments?

(A) Kachchhapi Veena

(B) Ghoshwati Veena

(C) Ek Tantri Veena

(D) Tri Tantri Veena

Answer: (D)

 

18. Which one is the instrument without Sarika?

(A) Surbahar

(B) Sitar

(C) Vichitra Veena

(D) Sur Singaar

Answer: (D)

 

19. Name the percussion instrument attached to the ‘Nathdwara’ tradition

(A) Tabla

(B) Sitar

(C) Pakhawaj

(D) Dholak

Answer: (C)

 

Answer: (C)

21. The book Captioned ‘Vaidik Index’ is written by

(A) Prof. Lalit Kishore Singh

(B) S.K. Dixit

(C) Mc Donel and Keith

(D) A.K. Kumarswami

Answer: (C)

 

22. Which one is not mentioned in eight rasas of Bharat?

(A) Adbhut

(B) Shant

(C) Raudra

(D) Shringaar

Answer: (B)

 

23. Which one is in right form of ‘Praman Shruti’?

(A) 4-3-2-4-4-3-2

(B) 4-3-2-4-2-3-4

(C) 4-3-2-4-3-4-2

(D) 4-4-2-4-3-3-2

Answer: (C)

 

24. The chapters of ‘Raga Tarangini’ of Lochan is named as

(A) Adhyaya

(B) Tarang

(C) Kandika

(D) Prapathak

Answer: (B)

 

25. ‘Sadara’ is related with

(A) Dhrupad

(B) Khayal

(C) Thumari

(D) Gazal

Answer: (A)

 

26. Who was the inventor of Raag ‘Laajwanti’?

(A) Ust. Faiyaz Khan

(B) Ust. Bande Ali Khan

(C) Ust. Amjad Ali Khan

(D) Ust. Allauddin Khan

Answer: (D)

 

27. Which raga is composed with Komal Nishad in Shudh Nath?

(A) Todi

(B) Multani

(C) Chhayanat

(D) Gurjari Todi

Answer: (C)

 

28. Who was the inventor of Gramophone?

(A) Thomas Alwa Edison

(B) Albert Einstein

(C) Walter Menn

(D) Mc Minal

Answer: (A)

 

29. ‘Budhva Mangal’ music programme is related to which city?

(A) Kanpur

(B) Allahabad

(C) Delhi

(D) Varanasi

Answer: (D)www.netugc.com

 

30. Gharana of Abdul Karim Khan

(A) Agra

(B) Kirana

(C) Patiyala

(D) Gwalior

Answer: (B)

 

31. Which artist has established Maihar Band?

(A) Ustad Allauddin Khan

(B) Pt. Nikhil Banerjee

(C) Ustad Vilayat Khan

(D) Ustad Abdul Haleem Zafer Khan

Answer: (A)

 

32. The Gharana of Pt. Ajay Chakravarty

(A) Gwalior

(B) Kirana

(C) Agra

(D) Patiyala

Answer: (D)

 

33. How many Banis are in Dhrupad?

(A) 6

(B) 7

(C) 4

(D) 5

Answer: (C)

 

34. Which Raagas are mixed in Raag Jog?

(A) Bhairav + Malkauns + Kafi

(B) Jogiya + Bhairav + Gunkri

(C) Bhairav + Kafi + Raageshri

(D) Baageshri + Rageshri + Malkauns

Answer: (B)

 

35. To which rag the following combination of notes:

“Sa Ni dha Ni Ga Re, Sa Re, Ga, Ma, Pa” belongs to?

(A) Neelambari

(B) Bhairav

(C) Jog

(D) Miya-Malhar

Answer: (A)

 

36. The famous Nawagrahakritis have been composed by

(A) Swati Thirunal

(B) Tyagaraja

(C) Dikshitar

(D) M.S. Subhalaxmi

Answer: (C)

 

37. The 72 melakarta scheme has chakras

(A) 10

(B) 12

(C) 8

(D) 14

Answer: (B)

 

38. Assertion (A): Sahitya is of secondary importance in Absolute music.

Reason (R): Sacred music belongs to the sphere of Absolute music.

Codes:

(A) (A) is true (R) is false.

(B) Both (A) & (R) are true.

(C) (R) is true (A) is false.

(D) Both (A) and (R) are false.

Answer: (A)

 

39. Buta Sankhya is found in

(A) Shadangas

(B) 35 Tala schemes

(C) Shodashangas

(D) 72 Melakarta schemes

Answer: (D)

 

40. A raga in Hindustani Music similar to Karnatic Raga Subha Pantuvarali

(A) Bhairav

(B) Todi

(C) Bhairavi

(D) Khamaj

Answer: (B)

 

41. According to Tagore, which instrument is not appropriate for accompaniment with Rabindra Sangeet?

(A) Violin

(B) Tabla

(C) Esraj

(D) Harmonium

Answer: (D)

 

42. Rabindranath used three types of rhythmic pattern to compose his songs such as Akshar Britta, Swar Britta and ________

(A) Tala Britta

(B) Laya Britta

(C) Matra Britta

(D) Chhanda Britta

Answer: (C)

 

43. Which one is the biographical presentation of his life written by Rabindranath?

(A) Kabi-Smriti

(B) Jiban Smriti

(C) Pitru Smriti

(D) Rabi Smriti

Answer: (B)

 

44. How many matras are in ‘Teora’ Tala?

(A) 6

(B) 7

(C) 8

(D) 10

Answer: (B)

 

45. Which one is the sign of ‘Som’ or 1stmatra of any Rabindrik Tala?

(A) +

(B) ×

(C) 0

(D) ∂′

Answer: (D)

 

46. Music Department of ‘Vishwa Bharati Vishwavidyalaya’ is called as

(A) Sangeet Bhavan

(B) Sangeet-Kala Bhavan

(C) Sangeet Vidyalaya

(D) None of the above

Answer: (A)

 

47. In which city, Ali Akbar College of Music is situated abroad?

(A) Washington

(B) California

(C) Texas

(D) New York

Answer: (B)

 

48. Which percussion instrument is from Karnatic music?

(A) Chenda

(B) Kanjira

(C) Maddalam

(D) Pakhawaj

Answer: (B)

 

49. In Natyashashtra, instrument is called by which name?

(A) Vadya

(B) Aatadya

(C) Pushkar

(D) Dunduvi

Answer: (B)

 

50. The value of first matra (Dhin) of Jhumratal is

(A) 1 1/4

(B) 1 1/2

(C) 1 3/4

(D) 1 4/3

Answer: (B)

 

Part – II: Hindustani Music

 

51. ‘Panchamadi Moorchchana’ of Bharta’s ‘Sadaj Gram’ is called as

(A) Aabhiri

(B) Abhiruddgataa

(C) Aarshbhi

(D) Matsarikritaa

Answer: (C)

 

52. Bahadur Sen is related to which instrument?

(A) Santoor

(B) Sursingaar

(C) Sitar

(D) Surbahar

Answer: (B)

 

53. Which one of the following is frequency of Shuddh Dhaivat of Western Shuddh Swar Saptak?

(A) 480

(B) 270

(C) 405

(D) 400

Answer: (D)

 

54. Who was the founder of ‘Chakrik- Prakriya’ for measurement of ‘Swar- Samvaad’?

(A) Pt. Bhatkhande

(B) Pt. Paluskar

(C) Pt. Lalit Kishore Singh

(D) Pt. Omkarnath Thakur

Answer: (C)

 

55. Who was the inventor of “Shruti- DarpanVaadya”?

(A) Kailash Chandradev Vrihaspati

(B) S.N. Ratanjankar

(C) Nihshank Sharangdev

(D) Acharya Bharat

Answer: (A)

 

56. Which of the following is in correct order?

(A) Swaramel Kalaanidhi, Natyashastra, Vrihaddeshi, Ratnakar, Ragtatvavibodh

(B) Ragtatvavibodh, Ratnakar, Vrihaddeshi, Natyashashtra, Swarmelkalanidhi

(C) Natyashastra, Vrihaddeshi, Ratnakar, Swarmelakalanidhi Ragtatvavibodha

(D) Vrihaddeshi, Natyashastra, Ragtatvavibodh, Ratnakar, Swarmelakalanidhi

Answer: (C)

 

57. Match List – I with List – II and select correct order from the codes given below:

List – I                                    List – II

1. Bhoomidundubhi                i. Tat

2. Rudra Veena                       ii.Awanaddha

3. Clarionet                             iii. Tat

4. Israj                                     iv. Sushir

Codes:

1          2          3          4

(A)       i           iv         iii         ii

(B)       ii          i           iii         iv

(C)       ii          i           iv         iii

(D)       iv         i           iii         ii

Answer: (C)

 

58. In which Puran the name of Kalpas are based on the notes on music?

(A) Vishnu Puran

(B) Vayu Puran

(C) Brahm Puran

(D) Narad Puran

Answer: (B)

 

59. The kakali was related to which note in Bharat age?

(A) Nishad

(B) Gandhar

(C) Shadja

(D) Panchams

Answer: (A)

 

60. The place for discussion on music is called in Upnishad as

(A) Shailal

(B) Narashansi

(C) Taragh

(D) Aastav

Answer: (D)

 

61. Music in Buddha Age was named as

(A) Gandharv

(B) Gandhabh

(C) Gaandharv

(D) Sangeet

Answer: (B)

 

62. The evening Raga based on the notes of Rag Bhairav is

(A) Ahir Bhairav

(B) Nat Bhairav

(C) Gauri

(D) Ramkali

Answer: (C)

 

63. Panini has named Orchestra (Vrindavadan) as

(A) Panigh

(B) Turya

(C) Kutap

(D) Aamnay

Answer: (B)

 

64. _________ Alankaras Sthai Varnasin Sangeet Ratanakar

(A) 5

(B) 6

(C) 7

(D) 8

Answer: (C)

 

65. The Ragas presenting two Angas is ________

(A) Aabhogi

(B) Bhairav

(C) Malkosh

(D) Kaushi Kanhara

Answer: (D)

 

66. ________ is Vrihannala in Mahabharat

(A) Bhishma

(B) Surya

(C) Bhim

(D) Arjun

Answer: (D)

 

67. How many Bharatratna for Sushir Vadya?

(A) One

(B) Two

(C) Three

(D) Four

Answer: (A)

 

68. Only one Persian Music Book available between 12th and 13thcentury is

(A) Nagmate-e-Asafi

(B) Heel Imali

(C) Mu-Arifunnagmat

(D) M-Adan-ul-Mausiki

Answer: (B)

 

69. Match List – I with List – II and select the correct answer from the codes given below:

List – I                        List – II

a. Madhym gram         i. Sa, Re, Antar Ga, Ma, Pa Dha, Ni

b. Shadaj gram            ii. Sa, Re, Ga, Ma, Pa, Dha, Ni

c. Kankangi                 iii. Ma, Pa, Dha, Ni, Sa, Re, Ga

d. Bilawal                    iv. Sa, Shudha Re, Shudha Ga, Shudha Ma, Pa, Shudha Dha, Shudha Ni

Codes:

a          b          c          d

(A)       iii         iv         ii          i

(B)       iii         i           iv         ii

(C)       iv         ii          i           iii

(D)       iii         iv         i           ii

Answer: (B)

 

70. The music of Lochan’s period was based on which gram?

(A) Gaandhaargram

(B) Shadaj-Madhyamgram

(C) Madhyamgram

(D) Shadajgram

Answer: (D)

 

71. Which instrument was prepared by Helmhotz for recognizing the ‘Anshikas’ of Mishra Swara?

(A) Microphone

(B) Anunaadak

(C) Naadak

(D) Galvinator

Answer: (B)

 

72. The interval of Shuddh Swara Saptak of Indian music (Hindustani) is

(A) 301 Severt

(B) 204 Severt

(C) 96.9 Severt

(D) 227.2 Severt

Answer: (A)

 

73. Identify the ‘Kalyan-Mela’ with the basis of ‘Shadaj-Interval’

(A) 16/15, 9/8 , 75/64, 16/15, 16/15, 75/64, 16/15

(B) 16/15, 75/64, 9/8, 16/15, 9/8 , 10/9 , 16/15

(C) 9/8 , 10/9 , 16/15, 9/8 , 9/8 , 10/9 , 16/15

(D) 9/8 , 10/9 , 9/8 , 16/15, 9/8 , 10/9 , 16/15

Answer: (D)

 

74. Who made the ‘Cyclic Theory’?

(A) Alain Danielov

(B) Jairaz Bhoy

(C) Kolinsky

(D) Mark Lavy

Answer: (C)

 

75. Find correct sequence:

(A) Alaap, Fast Gat, Jod, Jhala

(B) Fast Gat, Jod, Alaap, Jhala

(C) Alaap, Jod, Fast Gat, Jhala

(D) Jod, Alaap, Fast Gat, Jhala

Answer: (C)

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